Dallas Public Library

Sounds of the underground, a cultural, political, and aesthetic mapping of underground and fringe music, Stephen Graham

Label
Sounds of the underground, a cultural, political, and aesthetic mapping of underground and fringe music, Stephen Graham
Language
eng
Bibliography note
Includes bibliographical references (pages 269-289) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Sounds of the underground
Nature of contents
bibliography
Oclc number
930825195
Responsibility statement
Stephen Graham
Series statement
Tracking pop
Sub title
a cultural, political, and aesthetic mapping of underground and fringe music
Summary
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
Classification
Content
Is Part Of
Mapped to

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