- Alanis Obomsawin, lifework, edited by Richard William Hil, Hila Peleg, and Haus der Kulturen der Welt.
- A dark and quiet place, David Noonan
- The woodcuts, Anselm Kiefer ; edited by Antonia Hoerschelmann ; foreword by Klaus Albrecht Schr?der and contributions by Antonia Hoerschelmann, Peter Sloterdijk and Werner Spies
- Monet and the Seine, impressions of a river, Helga Kessler Aurisch and Tanya Paul ; with contributions by Richard R. Brettell and Michael Clarke
- Paul C?zanne, 1839-1906 : pioneer of modernism, Ulrike Becks-Malorny
- Lee Miller, photography, surrealism, and beyond, Patricia Allmer
- Henri de Toulouse-Lautrec 1864-1901, the theatre of life, Matthias Arnold
- Albrecht Dürer, edited by Christof Metzger
- Black Dada reader, Adam Pendleton
- Christopher Williams, the production line of happiness, Mark Godfrey, Roxana Marcoci, Christopher Williams, and Matthew S. Witkovsky
- The color of being/El color del ser, Dorothy Hood, 1918-2000, Susie Kalil ; with a contribution by William G. Otton and a foreword by Barbara Rose
- How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world, Michael Bierut
- Hieronymus Bosch, visions of genius, Matthijs Ilsink and Jos Koldeweij
- Rauschenberg/Dante, drawing a modern Inferno, Ed Krčma
- John Armstrong, paintings 1938-1958 : an enchanted distance, research & text, Julie Fischel ; photography, Colin Mills
- Keith Haring's line, race and the performance of desire, Ricardo Montez
- Inner life, Kiki Kogelnik
- Transmissions, Nick Mauss
- Edvard Munch, between the clock and the bed, edited by Gary Garrels, Jon-Ove Steihaug, and Sheena Wagstaff ; preface by Karl Ove Knausgaard ; essays by Patricia G. Berman, Allison Morehead, Richard Shiff, and Mille Stein
- Kahlo, Eckhard Hollmann
- Katsuya Terada real size, author, Katsuya Terada ; translator, Honyaku Center Inc
- Spirit, the life and art of Jesse Treviño, Anthony Head ; with a foreword by Henry Cisneros
- George Condo, painting reconfigured, Simon Baker
- Raphael's tapestries, the Grotesques of Leo X, Lorraine Karafel
- Domenico Gnoli
- Salvador Dal?, 1904-1989, conquest of the irrational, Gilles N?ret
- Van Dyck, the anatomy of portraiture, Stijn Alsteens and Adam Eaker ; with contributions by An van Camp, Xavier F. Salomon, and Bert Watteeuw
- Judd, Donald Judd ; edited by Ann Temkin ; with contributions by Erica Cooke [and seven others]
- Takashi Murakami, lineage of eccentrics : a collaboration with Nobuo Tsuji and the Museum of Fine Arts, Boston, edited and with an introduction by Anne Nishimura Morse
- Brian Eno, visual music, by Christopher Scoates ; with contributions by Roy Ascott, Steve Dietz, Brian Dillon, Brian Eno, and Will Wright
- KAWS, where the end starts, Organized by Andrea Karnes ; With essays by Andrea Karnes, Michael Auping, and Dieter Buchhart ; And an interview with KAWS by Pharrell Williams
- Bruce Nauman, Contrapposto studies, edited by Carlos Basualdo and Erica F. Battle
- Inside out, JR
- Original grin, the art of Ron English, Ron English
- Neo Rauch, Michael Glover
- A visual protest, the art of Banksy, edited by Gianni Mercurio
- Francis Picabia, our heads are round so our thoughts can change direction, Anne Umland and Cathérine Hug ; with essays by George Baker [and 12 others]
- Starry night, Van Gogh at the asylum, Martin Bailey
- Hockney's portraits and people, 246 illustrations, Marco Livingstone + Key Heymer ; with commentaries by Marco Livingstone
- Basquiat, boom for real, edited by Dieter Buchhart and Eleanor Nairne with Lotte Johnson
- Mr. Brainwash, franchise of the mind, book curator & editor, Ghia Truesdale
- Rembrandt, painter as printmaker, Jaco Rutgers and Timothy J. Standring
- Alice Neel, people come first, Kelly Baum and Randall Griffey with contributions by Merediith A. Brown, Julia Bryan-Wilson, and Susanna V. Temkin
- ?douard Manet, 1832-1883, the first of the moderns, Gilles N?ret
- Heironymus Bosch, c. 1450-1516, between Heaven and Hell, Walter Bosing
- Jonas Mekas, the camera was always running, edited by Inesa Brasiské, Lukas Brasiskis, and Kelly Taxter ; with essays by Ed Halter [and three others]
- Robert Rauschenberg, Leah Dickerman, Achim Borchardt-Hume
- One and one is four, the Bauhaus photocollages of Josef Albers, Sarah Hermanson Meister with additional texts by Elizabeth Otto and Lee Ann Daffner
- Georgia O'Keeffe, edited by Tonya Barson
- David Smith, origins & innovations