791.4302/33/092
Label
791.4302/33/092
Code
791.4302/33/092
Source
ddc
Defined by
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Incoming Resources
- Classification of44
- The unseen force, the films of Sam Raimi, John Kenneth Muir
- Scorsese up close, a study of the films, Ben Nyce
- Godard, a portrait of the artist at seventy, Colin MacCabe ; filmography and picture research by Sally Shafto
- Lars Von Trier, Jack Stevenson
- James Ivory in conversation, how Merchant Ivory makes its movies, Robert Emmet Long ; foreword by Janet Maslin
- Edmund Goulding's dark victory, Hollywood's genius bad boy, Matthew Kennedy ; foreword by Kevin Brownlow
- The films of Tim Burton, animating live action in contemporary Hollywood, Alison McMahan
- This terrible business has been good to me, an autobiography, Norman Jewison
- The cinema of Gosho Heinosuke, laughter through tears, Arthur Nolletti, Jr
- Hitchcock as philosopher, Robert J. Yanal
- Pervert in the pulpit, morality in the works of David Lynch, Jeff Johnson
- The films of Louis Malle, a critical analysis, Nathan Southern with Jacques Weissgerber ; research assistance by Heather McBrier ; foreword by Jean-Claude Carrière
- It's only a movie, Alfred Hitchcock, a personal biography, Charlotte Chandler
- Best in show, the films of Christopher Guest and company, John Kenneth Muir
- Joseph Losey, Colin Gardner
- Regarding Frank Capra, audience, celebrity, and American film studies, 1930-1960, Eric Smoodin
- Federico Fellini, his life and work, Tullio Kezich ; translated from the Italian by Minna Proctor with Viviana Mazza
- Despite the system, Orson Welles versus the Hollywood studios, Clinton Heylin
- Giant, George Stevens, a life on film, Marilyn Ann Moss
- Roger Corman, blood-sucking vampires, flesh-eating cockroaches, and driller killers, Beverly Gray
- The wolf at the door, Stanley Kubrick, history, & the Holocaust, Geoffrey Cocks
- Peter Jackson, from Prince of splatter to Lord of the rings, Ian Pryor
- Jean-Pierre Melville, an American in Paris, Ginette Vincendeau
- Roman Polanski, interviews, edited by Paul Cronin
- Leo McCarey, from Marx to McCarthy, Wes D. Gehring
- Elia Kazan, a biography, Richard Schickel
- Sayles talk, new perspectives on independent filmmaker John Sayles, edited by Diane Carson and Heidi Kenaga
- The cinema of George Lucas, written by Marcus Hearn ; foreword by Ron Howard
- The buried secret of M. Night Shyamalan, Universal ; produced by Callum Greene ; written by Melissa Foster ; directed by Nathaniel Kahn
- Andy Warhol screen tests, the films of Andy Warhol : catalogue raisonné, Callie Angell
- François Truffaut and friends, modernism, sexuality, and film adaptation, Robert Stam
- Edge of midnight, the life of John Schlesinger, William J. Mann
- Quentin Tarantino, the man, the myths and his movies, Wensley Clarkson
- Whoever says the truth shall die, a film about Pier Paolo Pasolini, directed by Philo Bregstein ; written by Philo Bregstein and Michele Garlati
- The films of Krzysztof Kieślowski, the liminal image, Joseph G. Kickasola
- Alfred Hitchcock's silent films, Marc Raymond Strauss
- Derek Jarman and lyric film, the mirror and the sea, Steven Dillon
- Leni Riefenstahl, the seduction of genius, Rainer Rother ; translated by Martin H. Bott
- Federico Fellini as auteur, seven aspects of his films, John C. Stubbs
- Once upon a time in Italy, the westerns of Sergio Leone, by Christopher Frayling
- Silent Bob speaks, the collected writings of Kevin Smith
- Cecil B. DeMille's Hollywood, Robert S. Birchard ; with a foreword by Kevin Thomas
- Depth of field, Stanley Kubrick, film, and the uses of history, edited by Geoffrey Cocks, James Diedrick, and Glenn Perusek
Outgoing Resources
- Defined by1